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Why Starting a New Film Cue Is Still the Hardest Part
Starting a new cue is still one of the most difficult parts of film scoring for me. That may sound strange after years of composing and teaching film scoring. I know the techniques. I have workflows and frameworks that help me understand a scene. I have a large orchestral template ready to go. Often, I have a temp track that gives me a good indication of what the director is responding to. All of those things help. But none of them completely removes that uncomfortable moment
Aug 8


The Music of The Night Agent (Netflix) — Tension, Suspense & Pulse
The Night Agent has become one of Netflix’s most gripping political thrillers — and honestly, it’s one of my favorite series in recent years. The writing is tight, the pacing never drags — and the music plays a huge role in that impact. Beneath the layers of conspiracy, betrayal, and relentless momentum lies a score that quietly drives the entire experience forward. But what really elevates it is the music. The score by Robert Duncan doesn’t scream for attention. It doesn’t
Feb 19


Unusual Instruments in Soundtracks: Cimbalom and Duduk
Film scores often stand out not only for their memorable melodies but also for the diversity of instruments that compose their sonic...
Oct 21, 2024
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