Today was a very special day. Lottie Dottie Chicken – The Movie (Galinha Pintadinha – O Filme) had its premiere in São Paulo, Brazil, and after four months working on the orchestral score, I finally had the opportunity to experience the finished film on the big screen — surrounded by the filmmakers, their families, guests, and a full audience. At the São Paulo premiere of Lottie Dottie Chicken – The Movie. Watch the Official Trailer Take a look at the official trailer for Lot

Starting a new cue is still one of the most difficult parts of film scoring for me. That may sound strange after years of composing and teaching film scoring. I know the techniques. I have workflows and frameworks that help me understand a scene. I have a large orchestral template ready to go. Often, I have a temp track that gives me a good indication of what the director is responding to. All of those things help. But none of them completely removes that uncomfortable moment

The Night Agent has become one of Netflix’s most gripping political thrillers — and honestly, it’s one of my favorite series in recent years. The writing is tight, the pacing never drags — and the music plays a huge role in that impact. Beneath the layers of conspiracy, betrayal, and relentless momentum lies a score that quietly drives the entire experience forward. But what really elevates it is the music. The score by Robert Duncan doesn’t scream for attention. It doesn’t

Film scores often stand out not only for their memorable melodies but also for the diversity of instruments that compose their sonic...