BIG BRASS.
BUILT TO WORK TOGETHER.
PERFORMED MOTION.
Two instruments.
One powerful brass section.
Forge Horns & Forge Trumpet were designed as complementary instruments—combining bold horn power with the focused brilliance and cutting edge of trumpet.
Use isolated articulations for precise writing, or combine their live-performed rhythmic cells to create movement, scale, and energy faster.
No endless articulation lists.
No complicated setup.
Just cinematic brass that is ready to play.
Sold separately for $98
Bundle price:
$69
Forge Horns and Forge Trumpet are NKS-ready and run in the free Kontakt Player
Hear Forge Brass in Action
Explore walkthroughs, watch Forge Horns and Forge Trumpet in use, and hear demo tracks created with both libraries.
Made for composers.
Used by composers.
Forge Trumpet is amazing. It allows you to create very complex phrases and rhythms with great ease. I usually have some difficulty writing in this style, especially with brass attacks that have a lot of rhythmic variation, and I found it perfect. Very practical, with incredible sound quality!
Alex Rocha, composer
Forge Trumpet stands out for its highly dynamic response and remarkably authentic tone. It delivers a strong sense of expression, performing especially well in fast, articulated passages while maintaining clarity even in dense arrangements. This makes it an excellent choice for adventure and action scoring.
Felipe Riente, composer
Forge Horns & Forge Trumpet work with the free Kontakt Player.
No need for the full version.
NKS-ready for full integration with NI hardware.
Real composers.
Real cues.
Real results.
Products like this are what truly make a difference in soundtrack production. Forge Horns combines natural-sounding performances with speed and flexibility, allowing you to blend articulations without wasting time programming passages that still end up sounding artificial.
Forge Horns is a tool I highly recommend.
Jether Garotti, composer & arranger
What impressed me most about Forge Horns was the feeling that the instrument inspires ideas. The phrases flow naturally, the articulations preserve the expressive character of a real performance, and the music gains movement almost instantly.
It does not try to replace the composer. It enhances the composer’s creativity, allowing the focus to remain on the music rather than the programming.
Ivan Trevisan, composer
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